Fotografia para grupos musicales fotografo para cantantes y musicos Madrid

Fotografia para grupos musicales fotografo para cantantes y musicos Madrid

Foto: Bio Edward Olive is a Fine Art photographer based out of Madrid, Spain. Edward Olive was a commercial litigation lawyer in London & Paris until throwing in the towel to pursue his more artistic interests. Edward got into photography by chance only in 2005 when he purchased his first camera, an entry level digital reflex Canon 350d to shoot his own actor’s book on a tripod with remote control. Finding he enjoyed the experience he started shooting actor and musician friends and the people living and working in his neighborhood Chueca (Central Madrid’s equivalent of Soho or Le Marais). Dissatisfied with the focused perfection of modern digital images and seeking an alternative look for his pictures he started adapting analog lenses (he extracted from broken old cameras with a large metal hammer we understand) onto his digital reflex using masking tape and built DIY lighting from microphone stands, disco lights and Kelvin correction gelatin discarded by technicians on his acting jobs. In autumn 2006 he bought his first film camera, a 1980’s Russian point-and-shoot (a cult Lomo LCA) using some very expired color film they were throwing out of the local photography store. Delighted with the dreamlike qualities and vintage colors, he hasn’t looked back. He continues to shoot almost exclusively analog cameras, still preferring the oldest expired film he can find, shunning the contemporary digital post-produced Photoshop look of current commercial and fashion photography, in favor of the grittier, earthier, unpredictability of expired film whether color negative, slides, black & white or Polaroid type instant film. Edward freely admits that it wasn’t until he bought his first Hasselblad in 2007 (the classic V series 500c/m with Carl Zeiss lenses) that he really found his instrument of choice. He still uses other cameras for reasons of variety, speed, ultra fast lenses or the discretion and convenience of a 35mm compact camera but takes a pair of V series Hasselblad 6×6 cameras, Mamiya M645 1000s and wheelie bag loaded with 120 & 220 film backs and inserts, as he says, when he really means business. Edward’s pictures range from street photography to nudes, often combining his location wedding travel to shoot personal projects inspired by the new places and people, admitting he still takes more photos for himself just for fun than he does to try and sell later to clients, taking some consolation from the new ideas that come from expression, reinvention and experimentation, free from any commercial pressures, that can later be applied at work to put food on the table. Edward aims to project in his work the contrasts and contradictions that exist within him and within people in general. He wears Italian silk suits to work but takes some shots that step out of line. He uses perhaps the world’s best cameras and lenses yet feeds at times them with the worst Chinese made “black & white” film that has in reality neither black nor white dreamy red blurred images. A combination of the perfect public image and internal private thoughts that combine to make up the people we are, conforming and breaking society’s norms. His aim is to one day attain the vocal control of Pavarotti yet to turn it on its head “Sex Pistols style” refusing to sing correct notes. Ironically Edward has said from his earliest years he never wanted to get married himself, even admitting that just seeing the grooms standing at the front of the cathedrals with everyone looking gave him a cold sweat until photographic matters got him back to thinking shutter speeds on the little kids running around at the back of the congregation and the inadvertent rising up of female guests’ dresses. Recently there has been a slight softening of his hard line, stating that if he ever did get hitched it would be as Elvis in Las Vegas with the bride as Marilyn on YouTube with only one photo taken, preferably of the bride and preferably without all her clothes, which would be the role of the only guest. Artistically Edward Olive lists influences that include: Richard Avedon Music, portrait and commercial photographers Anton Corbijn, Annie Liebowitz, Linda McCartney Music photographers William Claxton, Andy Summers (The Police) Fashion,commercial and portrait photographers: Rankin, Mario Testino, Patrick Demarchelier, Herb Ritz, Paulo Roversi, Steven Meisel, Peter Lindbergh, Inez van Lamsweerde and Vinoodh Matadin, Jean Loup Sieff, Guy Bourdin, Sante d’Orazio, David LaChapelle, Mary McCartney, Arthur Elgort, Norman Seeff, Scavullo, Bryan Adams (the also musician), 1960’s British fashion and advertising photographers David Bailey, Brian Duffy, Terence Donovan, Lord Snowdon, Lord Lichfield, French fashion, advertising and nude photographers Jean Loup Sieff, Guy Bourdin French portrait studio Studio Harcourt and the film noir Hollywood portraiture Surrealist photographers Man Ray, Andreas Feininger Earlier fashion and portrait photographers such as Norman Parkinson, John Deakin, Horst, Clifford Coffin, John Deakin, Cecil Beaton, Irving Penn, Erwin Blumenfeld, Edward Steichen Contemporary portrait photographers: Nigel Parry, Platon, Cambridge Jones, Andy Gotts, Dan Winters, Simon Annand, Albert Watson, Fashion, portrait and nude photographers Helmut Newton (and June “Alice Springs” Newton), Araki, Robert Mapplethorpe, Classic portait & reportage photographers Mary Ellen Mark, Eve Arnold, British portrait and reportage photographers Jane Bown, Terry O’Neill, Harry Benson, Renowned photojournalists Robert Doisneau, Robert Capa and Cornell Capa, Robert Frank, Elliott Erwitt, Henri Cartier-Bresson, Don McCullen, W. Eugene Smith, Gordon Parks, Magnum Agency, Life Magazine, Eugene Atget, Sefton Samuels, James A. Fox, Bruce Davidson, Martin Parr, , Philip Jones Griffiths, Paolo Pellegrin, Slim Aarons, Martine Franck, Still life photographer Chema Madoz Underground photographer Alberto Garcia Alix Darkroom master printers and photographers Ansel Adams and Castro Prieto Equipo de fotografía Uso todo tipo de cámaras desde las modernas digitales hasta cámaras de época de película de medio formato. Cada cámara tiene su uso, pero mi preferencia siempre ha sido por mis cameras Hasselblad 500 c/m. Abajo proporciono una lista de todo el material que he ido adquiriendo de fotografía y que uso para trabajar. Es una locura, pero, aunque soy fotógrafo profesional de bodas principalmente, la fotografía en general todavía es pasión, mi pasión. Cámaras de fotos digitales: Canon EOS 6d Canon EOS 5d mkii Canon EOS 5d Cámaras de 35mm de auto enfoque: Canon EOS 1, 5 x Canon EOS 5 / a2 2 x Canon EOS 50 / Elan 5x Canon EOS 300 / Rebel Objetivos para camaras digitales y de auto enfoque de 35mm: Canon EF 70-200mm L f2.8 IS USM Canon EF 180mm L f3.5 macro Canon EF 100mm f2 USM Canon EF 85mm L f1.2 USM Canon EF 85mm f1.8 USM Canon EF 50mm L f1.2 USM Canon EF 50mm 1.4 USM Canon EF 50mm f2,5 compact macro Canon EF 50mm f1.8 Canon EF 50mm f1.4 USM 2x Canon EF 35mm f2 USM Canon EF 24mm L f1,4 USM Canon TS_E 24mm L f3.5 Tilt Shift Canon EF 15mm f2,8 Fisheye Canon EF 14mm L f2.8 USM Medio formato 4 x Hasselblad 500 c/m Carl Zeiss Planar 80mm f2.8 t* Carl Zeiss Biometar 50mm f4 t* Carl Zeiss Sonar 120mm f4 t* Carl Zeiss 150mm t* f4 Carl Zeiss 250mm f5.6 t* 15x a12/a24/a16/a16s 4x Mamiya m645 1000s 120 & 220 inserts Mamiya Sekor C 80mm f1.9 Mamiya Sekor C 80mm f2.8 Mamiya Sekor C 45mm f2.8 Mamiya Sekor C 150mm f4 Mamiya Sekor C 210mm f4 Mamiya Sekor 50mm f2.8 Mamiya Sekor 50mm f2.8 Rolleiflex carl zeiss f3.5 biometar 2x Pentacon Six TL Arsat 30mm f3.5 Fisheye Carl Zeiss Jena 50mm Flektogon f4 Zebra Carl Zeiss Jena 80mm MC Biometar f2.8 Carl Zeiss Jena 80mm Biometar f2.8 Zebra Carl Zeiss Jena 80mm f4 Carl Zeiss Jena Biometar 120mm f2.8 Zebra MC Carl Zeiss Jena Sonnar 180mm f2.8 Otras cámaras de medio formato Agfa Isolette Agfa Clack lomo Lubitel universal Pouva start Holga cfn Holga Woca gcfn Certo certina Certo phott Halina 6-4 achromat Brownie cresta Diana camera (original) Cámaras de 35mm de enfoque manual y objetivos 3x Honeywell Asahi Pentax Spotmatic SP II / SPF Super Takumar 50mm f1.4 Super Takumar 85mm f1.9 Super Takumar 105mm f2.8 Super Takumar 135mm f3.5 Super Takumar 200mm f5.6 Helios-44-2 58mm f2 MC Helios-44M-5 58mm f2 Aus Jena DDR (Carl Zeiss) 50mm f2.8 Industar 50-2 (Pancake lens) 50mm f3.5 Miranda 24mm f2.8 2x Olympus om 2 Olympus om 40 Olympus om 20 Olympus om 10 Olympus om Zuiko 50mm f1.4 Olympus om Zuiko 50mm f1.8 Miranda 24mm f2.8 macro 3x Minolta x-300 / x-370 SR Minolta MC Rokkor-PF 58mm f1.4 Minolta MC Rokkor-X 50mm f1.4 Minolta MC Rokkor 50mm f1.7 Minolta MD Rokkor 35mm f1.8 24mm f2.8 Cámaras de enfoque por zona Lomo Smena symbol Lomo Smena 8m Lomo Smena 8 Cameras telemétricas de 35mm de auto enfoque 5x Contax g1 green label Carl Zeiss t* 90mm f2.8 Carl Zeiss t* 45mm f2 Carl Zeiss t* 35mm f2 Carl Zeiss t* 28mm f2.8 Cameras telemétricas de 35mm de enfoque manual Kiev ttl 35mm auto focus compact/ point and shoot cameras/ 35mm zone focus compact Leica cm (fixed focus 40mm f2.8) Leica mini ii (fixed focus 35mm f3.5) Contax t2 Contax tvs ii Olympus mju ii /stylus epic (fixed focus 35mm f2.8) Fujifilm natura black (24mm f1.9) Canon af 35 ml (40mm f1.9) Lomo lca (original) 2x Olympus xa-2 Olympus xa-4 Minox gt Olympus pen (35mm f2.8 lens half frame zone focus) Vivitar ultra wide & slim Equipo profesional propio de video en full HD Canon 6d Canon 5 mkii Objetivos de Canon EOS y objetivos analógicos manuales adaptados a EOS DSLR spider steadycam rig Shouldercam Viewfinder screen magnifier x2 Adobe Premiere CS6 Adobe Master Collection Equipo propio de grabación de sonido profesional en estudio, estudio móvil y para rodajes Micrófono principal de estudio Neumann TLM-102 NI Micrófono cardioide de gran diafragma. Otros micrófonos de estudio, micrófonos para desplazamientos y para rodajes: Behringer B-2 PRO Micrófono de condensador de estudio con diafragma doble con opciones patrón cardioide, omnidireccional o en 8 con suspensión aislante Behringer de tipo araña y estuche de transporte de aluminio para desplazamientos Behringer B1 Micrófono de condensador de estudio cardiode con suspensión aislante Behringer de tipo araña y estuche de transporte de aluminio para desplazamientos 2x Electro-Voice PL84 micrófono condensador cardioide 2x Micrófono Rode Videomic Pro + deadcat VMP + trípode de micrófono Rode VC1 + cables de extensión Rode VC1 y RSP Acustic + coldshoe pistol grip Rode PG1 Micrófono dinámico profesional Sennheiser Evolution e845s supercardioide de alto rendimiento con suspensión aislante de tipo araña 2 x Sennheiser ME4 Micrófono de solapa cardioide con sistemas de microfonía inalámbrica Sennheiser Evolution wireless EW 122-p G3 con transmisor de bolsillo petaca Sennheiser SK 100 G3 y receptor móvil petaca Sennheiser EK 100 G3 y un segundo conjunto de Sennheiser Evolution wireless EM 100 G2 con transmisor de bolsillo petaca Sennheiser SK 100 G2 y receptor móvil petaca Sennheiser EM 100 G2 2x Work DM-200 Micrófono de cañón ultra-direccional profesional con suspensión aislante de tipo araña y quitavientos Otro equipo de estudio LD Systems LDRF1 - Pantalla de absorción y difusión para micrófono de estudio (para minimizar reflexiones, ruidos y ecos para obtener una señal seca y para reproducir las condiciones técnicas o el aislamiento acústico propios de un estudio) 2x Samson PS01 Antipop König & Meyer Proline Trípodes profesionales de micrófono de pie y trípodes de sobremesa Acustic RSP Cables XLR montadas a mano en España con conexiones Neutrik Interfaz de Audio, preamplificadores y alimentación fantasma Focusrite Scarlett 2i2 interface de grabación de audio conversor analógico / digital de dos canales de entrada XLR a salida USB de 24 bit, 96 kHz con 2 preamplificadores Focusrite incorporados y alimentación fantasma de +48 V Alesis iO2 Express interface de grabación de audio conversor analógico / digital de dos canales de entrada XLR y salida USB de 24 bit, 48 kHz con preamplificador incorporado y alimentación fantasma de +48 V ART Pro Audio Tube MP Preamplificador de micrófono valvular con phantom power +48v Behringer Tube Ultragain MIC200 Preamplificador de micrófono valvular preamplificador a válvulas con alimentación fantasma de +48 V, configuraciones de preamplificadores seleccionables diseñadas para voces y filtro de paso alto con conectores XLR bañados en oro FiiO 11, FiiO 6 y FiiO 3 Preamplificadores portátiles (para rodajes en exteriores) Behringer Micropower PS400 alimentación fantasma de +48 V Grabadores de sonido 2x Tascam DR-40 Grabador portátil de audio digital profesional de multi-pista de 4 pistas estéreo con grabación de audio en WAV 24 bit sample y hasta 96 kHz + Rycote dead cat quitavientos. Toshiba Satellite Core i7-3630QM W8 16GB RAM (4 x 4 GB) quad-core DDR3 2TB 17" con tarjeta de sonido de Harman Kardon Monitorización de sonido Alesis M1 Active mk2 Altavoces monitores de estudio profesionales AKG K-44, Audio-Technica ATH-T200, Sennheiser HD201 y JVC HA-RX300 Cascos dinámicos cerrados de estudio. Edición de sonido Edición básica de grabaciones con Adobe Audition CS6, Audiocity o equivalente para producir una pista de audio en 44100 Hz o 48000 Hz en WAV 16 bit para PC / Adobe Premiere, AIF / Aiff 16 bit para Apple Mac / Final Cut, mpeg-4, mp3, o equivalente. Cuarto Oscuro Kaiser-fototechnik VCP 6005 color and black & white enlarger Schneider-Kreuznach APO Componon 50mm f2.8 multi-coated Rodenstock APO Rodagon HM multi-coated 45mm Rodenstock Rodagon WA 40mm Rodenstock APO Rodagon N 80mm Rodenstock Rodagon WA 60mm Rodenstock Rodagon 105mm f5.6 LPL 40x50cm 16x20in easel Vacuum easel 50x70cm 20x28in Magnetic borderless easel 40x50cm 16x20in Four blade 30x40cm 12x16in easel Multi-mask multi-format multi-print easels Silverprint cotton fiber archival print washer 50x60cm 20x24in Nova 30x40 12x16in Fiber based print slot processor for black& white prints Nova Club 30x40 12x16in four slot print processor for color prints Paterson system 4 film developing tanks Nova temperature 3 pot dip & dunk controlled C41 color negative E6 slide transparency 35mm, 120 and 220 film format processor Zone VI print drying screens Fiber based paper press Estudio fotográfico movíl Continuous pro CFL studio lighting LED pro portable studio lighting Tungsten pro lighting Multiple head Bowens Gemini pro strobe flash with portability location battery paks, radio triggers Multiple Canon speedlights Octobox, softboxes, snoots, reflectors, honeycomb grids, barndoors, beauty dish. Portable studio backdrops, reflectors, flags, diffusers for portrait, group and fashion. Mini studio for still life, jewelry and product. Servicios de fotografia artistica en La Comunidad de Madrid - Castilla y Leon - Andalucia - Castilla La Mancha - Aragon - Extremadura - Catalonia / Cataluna - Galicia - La Comunidad Valenciana - Murcia - Asturias - Navarra - Las Islas Canarias - Gran Canaria - Tenerife - Lanzarote - Euskadi / Pais Vasco - Cantabria - La Rioja - Las Islas Baleares - Mallorca - Ibiza - Menorca - Ceuta 



 
Email: edwardolive@hotmail.com
Tel.: 0034 605610767

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